
Adam Scrimshire
(Interview by Nicolas Ragonneau, for Paris DJs - February 2012)
Maybe you're not familiar with the name of Scrimshire. No, it's not the name of a hidden british county (even if it could have been), but a new and young talented multi-instrumentalist from Rugby, England. Adam Scrimshire released a first and advisable record in 2009, Along Came The Devil One Night (Wah Wah 45s). A cliché says that a second album is dicey, but Scrimshire has transformed this so-called trap in a superb achievement with The Hollow. We can understand, at a glance to the gorgeous art cover and perfect typography, that he is a man of great taste, a craftsman who loves working detail in every aspect. The record starts with A Promise Is All It Was, a virtual one-man-band track where Scrimshire plays and sings every single note, and it ends without him: on the eponymous and final track, he's vanished and leaved harpist Rachael Gladwin (Matt Halsall and Nat Birchall's longtime collaborator) alone. She draws indeed a moving epilogue and makes us think that maybe The Hollow is a metaphor of disappearance and vanishing souvenir itself. This is one of the surprises of a subtile and mutiple record that welcomes folk, soul, spiritual jazz, afrobeat, malian splinters and fine electronica in one single flow, with a predilection for the female voices (Heidi Vogel and her Nina Simonesque tone, the warm gospel of Stac...). Fans of The Cinematic Orchestra, Nostalgia 77 or José James will love the exquisite fusion delicacy of The Hollow for sure. Adam tells us how he imagined it and, as one of the Wah Wah 45s' label owners, evokes the label's latest news and the music industry.








