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Various - Tropicália : A Brasilian Revolution In Sound

Tropicalia A Brasilian Revolution In Sound
best of 2006Various - Tropicália : A Brasilian Revolution In Sound
(CD/2xLP) Soul Jazz Records, 2006-02-13

Tracklisting :
01. Gilberto Gil - Bat Macumba
02. Os Mutantes - A Minha Menina
03. Gal Costa - Tuareg
04. Gilberto Gil & Os Mutantes - Domingo No Parque
05. Caetano Veloso - Alfomega
06. Gal Costa - Sebatiana
07. Gilberto Gil - Procissao
08. Caetano Veloso - Irene
09. Os Mutantes - Ave Genghis Khan
10. Jorge Ben - Take It Easy My Brother Charlie
11. Tom Ze - Jimmy Renda-se
12. Os Mutantes - Ando Meio Desligado
13. Caetano Veloso - Tropicalia
14. Tom Ze - Quero Sambal Meu Bem
15. Gal Costa - Vou Recomecar
16. Os Mutantes - Panis Et Circenses
17. Tom Ze - Gloria
18. Os Mutantes - Quem Tem Medo De Brincar De Amor
19. Caetano Veloso - Lost In The Paradise
20. Os Mutantes - Bat Macumba

Press Release :
Tropicália: A Brazilian Revolution in Sound.
Tropicalia is one of the most significant cultural movements in Brazil encompassing music, film, visual art and theatre.
To check out the amazing Barbican Tropicalia exhibition that is currently running alongside our Tropicalia album go to 'Tropicália' is the first album to bring together all the key artists involved in the movement – Os Mutantes, Gilberto Gil, Caetano Veloso, Tom Zé, Gal Costa and more.
The Tropicália movement was born in 1968, a momentous year around the world. It was the year of the Martin Luther King and Bobby Kennedy assassinations, the Prague Spring, the Chicago Convention, the Tet Offensive in Vietnam and the anti-war movement, the student rebellion in France, civil rights, the beginning of the end for the Soviet Union and the birth of the women's movement.
In Brazil, army violence that killed three protesters in the opening months of 1968 failed to keep students from protesting the four-year-old repressive Brazilian military dictatorship. It was against this extraordinary backdrop that Tropicália arrived. As a coherent movement allied to worldwide political and cultural unrest, Tropicália lasted little more than a year, yet it had – and continues to have – a profound effect on Brazilian society.
Mixing psychedelic rock, avant-garde musique concrete (tape loops, sound experiments), samba, funk and soul, Tropicália was so radical – and its social implications so politically profound - that its leading protagonists, Caetano Veloso and Gilberto Gil, were arrested, imprisoned and finally exiled in 1969.
Tropicália's unique ideology mixed high art with mass culture. Tropicália created musical and cultural anarchy, a revolution in Brazilian sound with a legacy later to be internationally championed by such diverse artists as David Byrne, Beck, Kurt Cobain, Stereolab, The Bees and Tortoise.
Tropicália artists loved the Beatles and Jimi Hendrix. They loved such forgotten Brazilian musical radio heroes as Dorival Caymmi, Luis Gonzaga and Orlando Silva as much as they were interested in the avant-garde of John Cage and Stockhausen.
The Tropicália artists loved Joao Gilberto even though the rise of Tropicália in many ways resulted in the demise of Bossa Nova, the elegant Brazilian music that had swept to international prominence at the start of the Sixties. The core Tropicália artists:
Os Mutantes: The sophisticated musical anarchists from Sao Paulo not only became the musical template for Beck, they were also discovered by Kurt Cobain on tour in Brazil who tried, and failed, to get them to support Nirvana. David Byrne has also released a collection of their work in the USA
Caetano Veloso: The Brazilian artist who invented Tropicália. Veloso, whose sister is another famous star, Maria Bethania, mixed rock music with Bossa Nova and in so doing redefined Brazilian music
Gilberto Gil: Today Gil is the Brazilian Minister of Culture. Thirty years ago his musical experiments with Tropicália were seen as subversive and he was imprisoned by the military junta and expelled from the country
Gal Costa: The Brazilian star started her career as part of Tropicália, basing her style on Janis Joplin. By the early Seventies she had become queen of Brazil's underground cultural world
Jorge Ben: The young star who found fame in the early Sixties with 'Mas Que Nada' - also a worldwide hit for Sergio Mendes - turned to Tropicália at the end of the decade
Tom Zé: A true Brazilian original avant-garde artist who found the international limelight when he toured the United States backed by post-rockers supreme, Tortoise, in the early-Nineties

"Essential!" Q Magazine
"A near perfect primer to Brazilian psychedelica." Time Out


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