Sunburst - Ave Africa - The Kitoto Sound Of East Africa: 1973-1976 (2CD/2LP, Strut Records, 2016)
Sunburst - Ave Africa - The Kitoto Sound Of East Africa: 1973-1976
(2CD/2LP) Strut Records STRUT128, 2016-06-24
Tracklisting CD1 : Ave Africa Lp (1976)
01. Kitoto Sound
02. Ukuti Ukuti
03. Ba Motoka Na Castle
05. Your Day Will Come
06. Ani Uni
07. Wakulu Wa Kuno
08. We Need Each Other
11. How Can I Get To You
12. Ave Africa
Tracklisting CD2 : Tfc & Moto Moto 45S (1973-1976)
01. Simba Anguruma
02. Kipato Sina
04. Banchikicha *
05. Black Is Beautiful
06. Mai Wetu Mai *
07. Enzi Za Utumwani
08. Let’S Live Together *
09. Matatizo Nyumbani *
10. K.k. Of Zambia *
Unreleased Radio Sessions (1973) : 11. Instrumental
12. Simba Anguruma
13. Enzi Za Utumwani *
14. Black Is Beautiful
15. Wakulu Wa Kuno
16. Get A Little Older
17. Kosa Langu Mpenzi
(* CD-only bonus tracks)
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French Review :
Le label anglais Strut - qui l'habitude de nous proposer des rééditions de choix - plutôt luxueuses - sort une rétrospective des oeuvres complètes du briliant groupe d'Afrosoul de Tanzanie Sunburst dans les années 1970 - constituée de leur unique album "Ave Africa" de 1976 - de quelques singles et de sessions radio inédites de leurs débuts en 1973. Proche du rock de Zambie - leur musique appelée "Kiktoto Sound" était influencée à la fois par la soul de James Brown - les rythmes caribéens que l'on retrouvait dans la rumba Congolaise - et le rock psychédélique de Jimi Hendrix - Carlos Santana ou des Doors.
Review extracted from the Paris DJs Tour Operator Magazine #2 - july/august 2016 issue
Press Release :
Strut presents a definitive collection of recordings from one of Tanzania’s most revered bands of the early 1970s, Sunburst. Covering their output from 1973 to 1976, this first retrospective features their singles for the Moto Moto and TFC labels, their sole album, ‘Ave Africa’ and an unreleased radio session recorded in Tanzania in 1973.
By the time Zairean guitarist Hembi Flory Kongo had formed the band in Dar Es Salaam in 1970 playing “copyright” cover versions, soul and funk had long influenced young musicians in Dar and ‘boogies’, weekly soul events, were commonplace at the city’s clubs. Despite the Tanzanian government banning soul (both music and dancing) through their conservative Ujamaa policy in 1969, Sunburst grew as a band and developed their own musical direction which they later called Kitoto Sound, reflecting the diverse backgrounds of the band members. Lyrical themes included black pride and colonial oppression – the band even played a gig for visiting civil rights heroine Angela Davis.
After June 1973, Sunburst gained a national audience through a live session for the state-owned Radio Tanzania, a crucial means for domestic bands to air their work. A month later, they won a band competition in Dar Es Salaam and their popularity in Tanzania grew further. They began recording singles in Kenya, standing apart from the predominantly rumba, jazz or taarab styles sung in local languages at the time.
In 1974, Sunburst met Zambian musician Rikki Ililonga from Zamrock group Musi- O-Tunya and he invited them to Zambia. Meeting their later manager, car company employee Peter Bagshawe, they embarked on an ill-fated tour with Kenyan funk band Matata before working on a first full album in 1976 in Lusaka with new band members. The LP came out at the height of the Zamrock scene led by bands like Witch and Ngozi Family but Sunburst offered a more intricate sound as musicians born in six different countries tapped into a multitude of styles, languages and stories. “Our songs support freedom struggles and encourage peasants and workers to work harder,” singer James Mpungo recounted. “Our songs also criticize our people for allowing themselves to be too westernized.” After a handful of further singles for Tanzanian state label TFC, including the popular ‘Banchikicha’, the band split, frustrated by living on “bare minimum earnings” from their music. The result of three years’ painstaking work after tracking down bandleader Hembi Kongo, bassist Bashir and the band’s ex-manager Peter Bagshawe, this overdue retrospective is curated by Thomas Gesthuizen (DJ Gioumanne) of Africanhiphop. com and Dave Tinning of Santuri East Africa. The package features a full band biography alongside rare photos, press cuttings and memorabilia.