Seelow & Mayer Formation - Mr Dynamite
(CD/LP) Sonorama SONORAMAL36, 2008-11-26

Info :
First re-release of the brilliand and lost Kraut jazz album from 1970, that incorporates soul jazz, jazz funk, hard bop, eastern elements and latin music, formerly released on the small and completely vanished German "dk disc" label. Stand out "Dauner-Oimels" style recorded at Jankowski Studio Stuttgart feat. bass player Wolfgang Schmid of Passport and Billy Cobham fame in his first recording session, a holy collector's album including old school DJ faves "Swinger from Rio" and "Danny's Walk", original copies changing hands for approx. 250 Euros on ebay today, remastered 2008, plus original cover artwork and new liner notes. Available on digipack CD & limited vinyl-LP.

Tracklisting :
01. Mr. Dynamite Part I (Peter Mayer) 7:58
02. Mr. Dynamite Part II (Peter Mayer) 5:45
03. Mr. Dynamite Part III (Peter Mayer) 7:03
04. The Swinger From Rio (Peter Mayer) 4:26
05. Danny's Walk (Dieter Seelow) 3:06
06. Masquerade (Haynes/ Rose) 6:37
07. With A Little Help From My Friends (Lennon/ McCartney) 5:07

Links :
sonorama.de
myspace.com/sonoramarecords



Seelow & Mayer Formation :
Dieter Seelow / Alto & Soprano Sax
Peter Mayer / Piano & Organ
Wolfgang Schmid / E-Bass
Hans Haug / Drums

Recorded June 1970 at Jankowski-Studio in Stuttgart-Feuerbach,
produced by Dieter Kruis,
recordings engineered by Klaus Reisser
Original recordings mastered 2008 by Jury Lutz

Press Release :
This is the first and only German longplay release by four soulful gentlemen from the Stuttgart area, the so called Dieter Seelow & Peter Mayer formation featuring the internationally well known bass player Wolfgang Schmid in his first recording session (later on with Passport, Billy Cobham, ARD TV show Superdrumming ...). Mr. Dynamite from 1970 is a blend of excellent musicianship with musical knowledge, that became a sought after collector's item in our times, with original copies changing hands for 250 Euros over the internet, if they rarely show up. The very rare album has been released on the producer's own label dk-disc in an edition of a few hundred copies only and got no re-pressings until today, 38 years after the music was produced in the famous studio of Horst Jankowski in Stuttgart.

The short lived band by Dieter Seelow and Peter Mayer work together as one, in a style that can be compared to the sounds of Wolfgang Dauner on his Rischka's Soul or Oimels albums from the same period, presenting challenging rhythm and harmonics throughout. Their music has a feeling which together is excitingly inventive but clear of idea. The sounds on this album incorporate soul jazz, jazz funk, hard bop, latin music plus the typical psych and kraut rock ingredients of the late 60s & early 70s. Psych rock jazz meets hard bop meets soul beat meets bossa nova rhythm recorded in Germany. A rare mixture, that was truly ahead of its time.

Without the marketing and promotion work from a professional record company, Mr. Dynamite remained a rather unnoticed album production back in the 70s, but one that is full of timeless musical feeling, that swings terrifically and has plenty of musical twists or sound surprisings in a contagious mood. The band on this album could play their kind of soul jazz as they wanted, because nobody forced them to make concessions for commercial reasons. The confidence of working together as a unit for some time has brought the group to a cohesive level at the time of recording, aswell as the ability to create their own tunes and moods instead of focussing their activities on traditional jazz standards.

On the first album side, the variations of Peter Mayer's Mr. Dynamite remind us of some weird Euro Jazz soundtrack, mixing hard bop & soul jazz in a combination of acid guitar sounds and basslines, distorted sax grooves and skew-whiff piano chords. The three parts of the album's main theme vary from lyrical piano passages over heavy funk influenced grooves, marching band style or even a weird citation from the German children song Hänschenklein.

Side Two starts with the bossa jazz styled Swinger From Rio with heavy latin percussion, that remind the dancers of Dom Um Romao or early Sergio Mendes, while the following tune Danny's Walk is a heavy, organ led soul jazz gem with very cool saxophone sounds in full bloom. These two tracks stand out as irresistible grooves, that got the album a must have reputation among the Old School DJs and Rare Groove diggers. Of course Peter Mayer is a pianist who can play a jazz version of any hit convincingly. Therefore their version of Masquerade is full of unique tension and a perfect example for the direction, that the Seelow & Mayer Formation was approaching with their few performances in Southern Germany. And the album even closes with one of the loveliest inspirations of the Beatles: The Seelow & Mayer version of With A Little Help From My Friends presents a very surprising swing around the popular melody.

Dieter Seelow (* 1939 in Schorndorf) belongs to the most prolific jazz musicians from Southern Germany. His instruments are the Saxophone and the Flute. In the 50s he started with dixieland, swing and mainstream jazz, but got more interested in hard bop and soul jazz during the 60s. After starting his band Seelow with bass player Wolfgang Schmid in the 70s, he became one of the forerunners and promoters of jazz rock in Germany. His music has the true spirit of blues and soul and is open to various styles like jazz, rock, afro and latin. Dieter Seelow is merging bop harmonies with soul grooves and influences from modern jazz. Later on he was forced to retire because of health problems and mainly worked in the studio, but returned to the jazz scene after some years and also played as a studio musician in various projects or for movie and tv production. A few years ago he started to play concerts again, mainly with his band Seelow. In 1988 Dieter Seelow became chairman of the newly founded jazz club Session 88 in Schorndorf (Schorndorfer Manufaktur).

Peter Mayer is well known among the followers of mainstream jazz. He had a formative influence on the South German jazz scene, not only with his own formation but also in performances with numerous international jazz icons. Peter Mayer is among the creators of jazz rock in Germany, together with Wolfgang Schmid and Dieter Seelow. The man began to write his own compositions and lyrics with the beginning of the Krautrock movement in Germany. Playing vibraphone he formed the band Erna Schmidt in 1969 with second drummer Rolf Schiegl, piano and flute player Sam Drake, hammond organist Romi Schickle and an excellent brass section. The band played gigs throughout Germany and could be heard a.o. at Quartier Latin/ Berlin.

Wolfgang Schmid is an internationally well known bass player in the music business for nearly 40 years now. His fans from the first hour remember him as a founding member of Klaus Doldingers' succesful band Passport with Kristian Schultze and Curt Cress. Others remember his spectacular performances from the German ARD tv show Superdrumming, where he accompanied many famous jazz and rock drummers. The new fans of course know his trio formation Paradox (with drummer Billy Cobham and guitar player Bill Billford) or his actual band Kick with drummer Marco Minnemann (Freaky Fukin Weirdoz, H-Blockx) and guitar player Peter Wˆlpl. Between 1962 and 1970, Wolfgang Schmidt led his first own band called The Dynamites. As often as other people collect nice impressions, he won many polls, played on nearly 400 records and knows the hidden corners of the world by extensive touring in different formations. The man made his first recordings with the Seelow & Mayer Formation in 1969 (This reissue of the LP Mr. Dynamite and the 7inch Single Soul-In, to be re-released on Sonorama Records soon). The album was recorded at the Jankowski-Studio in Stuttgart, where Wolfgang Schmid studied engineering.

Producer for re-release: Ekkehart Fleischhammer, original recordings mastered by Jury Lutz, Photos from original 1970 cover by Lothar Schiffler, original graphic design and layout by Dieter Rost, reproduction of original cover by Patrick Haase (rab.bit). Thanks and big respect to Dieter Seelow and Dieter Kruis.