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24-Carat Black - Gone: The Promises Of Yesterday



24-Carat Black Gone The Promises Of Yesterday
24-Carat Black - Gone: The Promises Of Yesterday
(CD/LP) Numero Group NUM025, 2009-07-28

Classically trained Detroit arranger Dale Warren got his start with the famed Motown label and, from the late 60s throughout the early 70s, composed the majority of string scores for soul artists on Stax Records (arranging for such artists as Billy Eckstine, Eddie Floyd, Isaac Hayes, Albert King, and the Staple Singers, among others). During this time, Warren befriended an up-and-coming Cincinnati soul outfit called the Ditalians. After he convinced them to change their name to 24-Carat Black, he took them under his wing - both composing and producing their lone album, 1973's Ghetto: Misfortune's Wealth, a conceptual work that focused on life in the inner city.
when Stax finally shuttered in 1975, and for 35 years, the sketches for 24-Carat Black's sophomore release hibernated in keyboardist and session engineer Bruce Thompson's basement below the south side of Chicago. Abandoned by Warren when the studio bill darkened his mailbox, the tapes, over decades, had fallen into soggy disrepair, useless save for the six tracks featured on this release.

24-Carat Black Gone The Promises Of Yesterday
24-Carat Black - Gone: The Promises Of Yesterday
(CD/LP) Numero Group NUM025, 2009-07-28

Tracklisting :
01. Best of Good Love Gone 5:40
02. I Want to Make Up 6:39
03. I Don't Love You 2:17
04. I'll Never Let You Go 5:11
05. Gone the Promises of Yesterday 5:57
06. I Begin to Weep 11:49

Links :
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Press Release :
Embraced in the early 90s by Britain's rare groove scene and later sampled by Digable Planets and Jay-Z, Ghetto: Misfortune's Wealth has since been known as 24-Carat Black's first and final chapter, barely a footnote in the well documented history of Stax. Producer and songwriter Dale Warren's dark urban concept album, released in the fall of 1973, challenged even its target audience to embrace it. A downer message to the emerging black middle class and too heady for a populace basking in the afterglow of the Wattstax festival held a year prior, the record didn't approach radio's pop standards and wasn't near white enough for the mainstream press. Warren's brainchild band simply pushed past their concept's conclusion, piling up dozens of reels for an intimate follow-up album that no one in the world wanted to hear. Yet. With their ambitious debut LP downgraded to cutout status when Stax finally shuttered in 1975, 24-Carat Black found themselves watching their moment recede in the rearview.

For 35 years, the sketches for 24-Carat Black's sophomore release hibernated in keyboardist and session engineer Bruce Thompson's basement below the south side of Chicago. Abandoned by Warren when the studio bill darkened his mailbox, the tapes, over decades, had fallen into soggy disrepair, useless save for the six tracks featured on our release. Because Gone: The Promises Of Yesterday is by no means a sequel to Ghetto: Misfortune's Wealth. Missing are the poignant and bleak sermons on the pain of inner-city existence, replaced by dusky, sensuous re-workings of tainted love songs Warren had written as far back as 1965 during his time as a songwriter at Shrine and Motown. Still, his unfinished self-reinvention, even heard through the prism of these skeletal remnants, delivers on a remarkable purity of vision: one man's corner of black culture, 24 carats pure and mishandled perhaps until now, finally a bit less misunderstood.
Djouls

Djouls

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Bruce Bruce ·  20 July 2010, 15:00

in 1973 they said I was wasting my time with 24 Carat Black! Ha ha, i laugh last!


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