The network promotion services we're offering are global, from conception to realisation.
You bring your idea, we bring our experience , our know-how, our own networks.

First we identify the correct active communities your idea can get connected into.
Then we spread your idea in the places and mediums where those communities gather.

Doing all your network promotion for you, from a to z.

Contact us.


The Paris DJs network :


Blogs

blogs
Our most visited blog is djouls.com.

This old school editorial music website is filled with thousands of record reviews about music you don't hear on the radio, from Frank Zappa & Phish to Mo' Wax, Ninja Tune or more recently Tru Thoughts.

All its content is carefully indexed in Google and other search engines, so that everything listed in djouls.com nearly always comes first in the list your answers.

Besides reviews, discographies, links and more music news, you'll find in djouls.com a bi-annual "best-of" selection of the last 6 months, in all styles, referencing each year 150 essential and mostly different records.
[Don't hesitate to send us your music]

Anything Ninja Tune-related... gets indexed in ninja-obsession.net. Anything Tru Thoughts-related... we also have tru-thoughts.net. Looking for some new and legal free mp3 downloads? Check saounds.com. Want to see a simple but cool artist website? Go to rangerstyle.com and learn about Jamaican legendary deejay The Lone Ranger...

But those are just a few example of our long list of blogs, with new ones coming up each month... all connected to the others...


DJs

DJs
One of the founders of this site, Loik Dury has invited nearly everyone with taste in music on his Radio Nova shows from the mid-80's to the end of the 90's.

That might be one of the reasons we now work with a large variety of Paris DJs, from associates to friends and collaborators: Manu Boubli, Doctor L, Soul Stereo Sound System, Gilb'R, Professor Oz, Ark, Popof, Soulist, Romain BNO, Almost, Betino... the list goes on and on.

People in the UK are used to support each others' productions in order to create and keep their "scene" alive. This obvious sharing of mutual interest is now a standard of the "worldwide" scene.

That's why we try to get our own tracks playlisted, supported or played by those DJs in their sets, radio shows, etc.


P2P

P2P
The future of the music business/industry lies in the P2P technology, nothing's more obvious.

We've been studying since 1996 opportunities such as file-sharing, which is a simple system of federation, feeding and profitability of communitites. Jambands from the 80s (The Grateful Dead), the 90s (Phish, Dave Matthews Band, Medeski Martin & Wood, etc.), and the 2000s (with the Bonnaroo festival, Jam Cruise, etc.) had understood this from the ground up (they've been making millions of dollars ever since).

We're all about building our own community, linking it to other kind communities, and getting our work and art promoted by all means, as long as those means don't hurt us, our work or our art.

We feel that 128k mp3s are pure promotion, just like being played on the radio. We want our music to spread everywhere in this worldwide compressed format, that's why you'll read on our records:
"All rights of the producer and of the owner of the works reproduced reserved. Unauthorized copying, hiring, public performance and broadcasting of this record prohibited. We're cool with friendly and non-commercial file-sharing or podcasting of 128kbps MP3s."


Active Music Communities

networking with a meaning
We've been specialized in identifying active music communities since the beginning of the 90s.

Examples are numerous, like The Grateful Dead's worldwide community in the 80s, the Mo' Wax/Trip Hop community in the 90s, the power-pop community from Athens (Georgia), the Outkast/Dungeon Family/Cee-Lo community from Atlanta, le hip hop de Marseille, classic rock afficionados, the rasta/reggae community.... there are many different places to go, physically or virtually, to meet fellow music lovers.

The Ninja Tune label gathers its own community for example, with its own website, many artists websites, some mini-sites for special events, a few podcasts, a worldwide radio show...

It's a global thing which necessitates a perfect experience of new technologies, lots of organization and detailed insight on the scene concerned.

We access this community through their forum... or through our own "Everything Ninja Tune-related" blog, which is basically a complementary encyclopedia of all things the Ninja Tune community is interested to know and discuss about.

And that's just one example. After 10 years of global activism, Ninja Tune parties started to get sold out, everywhere, each time...